Arts organisations in the UK are overwhelmingly stuffed with lefties and yet arty companies and individuals are constantly grovelling to our grotesque "Royal" family. Why? One main reason, of course, is the expectation of baubles. Some of our greatest actors, for example, cannot open their mouths off stage without spouting socialist claptrap, but are quick to accept Damehoods and other "honours" down The Palace. Hypocrisy? Naked self-interest? Who knows?
When the writer buys tickets for arts events there is often a request for donations. "No" is the short response to any organisation with "Royal" in its name, or with "Royal" patrons. Perhaps others ought to follow suit ...
Of course, their insinuation into British institutions is seen by the monstrous monarchy as necessary to perpetuate itself. The "Royals" pull every lever to maintain their grasp on wealth and power.
Long before recent revelations, the man formerly known as "Prince" Andrew was the personification of arrogance and entitlement. His ill-fated "Marriage of Fiasco" to the toe-sucker, Ferguson, became the stuff of tabloid legend. Long before the Epstein saga, he was known as "Randy Andy". Not quite, due to primogeniture, "King Priam" but certainly "Prince Priapus". And fawning politicians facilitated his pursuit of wealth and la dolce vita by appointing him as a trade envoy and the like. Pass the sick bag, Alice.
In the course of "The Rake's Progress" the wonderful Opera North inexplicably made the ghastly pair "patrons". Look away now if you don't want to be sick over yourself:
Crow Multimedia wrote to Opera North about this ludicrous state of affairs:
"Press Enquiry - Royal Patronage
It is inexplicable to the general public why a brilliant arts organisation like ON feels the need to have "royal" patrons. What do you say is the benefit of having the Duke of Kent as a current patron?
Further, the person previously known as "Prince" Andrew, and Sarah Ferguson, were patrons of ON. Even without the current revelations it is unimaginable that such a ghastly pair should be associated with ON? Once again, what was the thinking in tying yourselves to that dreadful couple?
Can you please also name the trustees who made the decision to appoint "Randy Andy" and "Fergie" as patrons. It will be interesting to see if they, in turn, received baubles for what most would see as egregious grovelling."
Alas, answer came there none.
We should mention here that on the Opera North website, two of the current trustees boast OBE's. No doubt thoroughly merited.
There is no truth in the rumour that Opera North is renaming "The Magic Flute", "The Pink Oboe". But perhaps ON could find a, er, part for "Randy" in, say, "Dildo and Aneas [spellcheck please]" or "The Turn of the Screw". Maybe the productions are already in rehearsal ...
We wonder if Opera North will ever apologise for this shaming degringolade? Perhaps the better option would be to eschew further "Royal" patronage altogether, eh readers?
LONG LIVE THE REPUBLIC!
A Crow Multimedia Blog
Ian Crow Multimedia Limited
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